Recently CEDIA Award nominee Blackroom and home cinema specialist Pulse Cinemas both integrated the CRMS-LFE18sl subwoofer in their new demonstration rooms. The CRMS-LFE18sl is a slim-sized reference subwoofer system for very demanding listening applications, delivering an accurate bass and sub response for a maximum quality audible and sensible performance.

As part of the Cinema Reference Monitor System group of solutions, specific attention has been paid to obtain a linear response in the operating bandwidth, while handling ultra-low frequency transients with maximum control.

The 18” custom-designed woofer features a large motor structure with dual 3” voice-coils offering an extreme excursion of 30mm / 1.2in. resulting in a 10dB more excursion capability than a traditional (pro) 18” woofer.

Phil 'Dr. Phil' De Haan, head of Alcons R&D explained: “When we took out the CRMS system from our C-series, to form its own CRMS series, we also wanted a series-dedicated LFE system. Solid, fundamental sub bass reproduction caters for the true impact of a movie experience. The response of the lowest octaves should be tight, accurate and powerful. With that in mind we developed this new 18” transducer from the ground up. The CRMS-LFE18sl is conservatively rated in our specification sheets, as we do not include the extreme excursion capability in the output rating.”

The direct-radiating transducer mounted in the sealed cabinet enables an in-room response below 10Hz. The driver is pre-wired for the Signal Integrity Sensing compensating circuit to deliver the most accurate reproduction for even the lowest octaves.

For full system performance, the CRMS-LFE18sl is to be driven and controlled by the ALC amplified loudspeaker controller, Alcons’ proprietary drive unit with system-dedicated processing and amplification.

The Signal Integrity Sensing circuit on board the Sentinel ensures complete cable/connector compensation between the CRMS-LFE18sl and ALC, significantly increasing response accuracy and reducing both linear and non-linear distortion to an absolute minimum, regardless of (long) cable length and (low) system impedance.

Thus, with SIS, the 4 ohms speaker impedance caters for maximum amplifier efficiency, with ample output from lower-rated Sentinels, without any compromise on performance.

The integrated factory presets in the drive processor of the ALC offer system optimisation settings, as well as proprietary VHIR processing for perfect phase-matching with an Alcons pro-ribbon system.

The ultra-slim, internally-stiffened enclosure features Alcons space-economic design, well-known from the C-series cinema solutions. With a 27,5cm/10.8” depth and M10 mounting points, the system can be stacked, flown, wall- or ceiling-mounted in even the smallest of spaces.

Phil concludes: “The super-fast impulse response and ultra-low distortion of the CRMS-LFE18 is a perfect match with the Alcons pro-ribbon systems and extends the Alcons CRMS-series to ultra-wide band reference monitor system. The series is finding its way to post-production studios and mastering suites, high-end mix/screening rooms and premium home theatres worldwide. For us, a testament of the wide range of applications where our acoustics, transducer, amplification and processing technologies deliver a 1:1 reproduction of the original sound source. Or as we put it: “one reference, one experience.”

ViewSonic Corp., a leading global provider of visual solutions, introduces the industry-first 135” all- in-one direct view LED Display Solution Kit with a foldable screen. The foldable design significantly reduces the packaging size by nearly 50%, compared to the previous generation, offering greater convenience for transportation. With pre-assembled systems and a built-in motorised stand, this solution kit is ready for instant use, perfect for events, exhibitions, or any short-term usage.

"In advancing our all-in-one LED Display Solution Kit series, we’ve taken the latest generation to new heights by extending the foldable concept to the extra-large display, adding tremendous convenience for various business uses," said Dean Tsai, general manager of projector and LED display business unit at ViewSonic. “With a folding 135” large screen, the new solution kit delivers stunning audio-visuals with greater mobility and lowered shipping cost. It can be widely used in the rental business, hospitality, or other industries. By improving the flexibility of our solution, we hope to assist customers to achieve their business goals.“

The new all-in-one LED Display Solution Kit is optimised for better mobility and convenience in delivery. Thanks to the folding feature, the 135” LED display can easily fit into both traditional freight elevators and large passenger elevators. The packaging size of the movable flight case is also reduced by almost 50% compared to its previous generation, reducing the shipping cost significantly.

Thanks to a massive process of revision, optimisation and overall re-adjustment, the preset library for Outline loudspeaker systems powered by amplifiers of both the GTA and TTM platforms has recently been upgraded and enriched by numerous “Manufacturer EQ” functions, bespoke to both point-source and line-array products of every range and series.

There's an immediate substantial improvement within easy reach of all users, which makes for easier optimisation of complex systems, maximised response consistency (and one instrumentally assessed, way beyond the "I'd say" and "well, there, instead"), augmented by a tangible increase of components' reliability when driven in the field at real-life SPLs and mains voltages.

"In terms of pure performance, it's almost like upgrading a sports car with the next more powerful engine, without having to undo a single bolt, and without even having to stop at the garage: who on earth would ever want to miss this, if the intervention is carried out in DIY mode, without even having to shell out a penny?" explains Paolo Calza, Outline's pro application engineer and array trainer.

"A great help for a quicker, easier optimisation process, safeguarded against potential pitfalls", adds Calza, "that comes complete with manufacturer EQ, which implements ad-hoc filters for each of Outline's speaker systems: there are functions to compensate low-end coupling in arrays of multiple product-specific sources, as well as that in mid- and treble range to mitigate air absorption with different throws or, at the other end of Outline's product range, you can even out the response of the tiniest Architectural Series speakers when deployed mono, stereo, free-standing or wall-mounted; it's like having the competence of an expert tech's hands and ears, when she or he has gone on holiday!"

For further details of the library's bells and whistles, there's a specific guide available for downloading from the relative web page of GTA Quattro, GTA Otto, and TTM 8K4 amplifiers and a quick video tutorial advertised on the same page from which you can head to the manufacturer's site and download the ArmoníaPlus control suite that puts this stack of goodies at your disposal.

A tankful of excellence at no cost whatsoever? Fill it up, please with Outline's magic!

Infinity introduces its newest and most modern LED parcan, engineered in Europe: the Raccoon P14/4. This very high-brightness, high-CRI, IP65-rated parcan with XY control mode is intended for professional applications where brightness and/or quality are of high importance. Its 14 extremely bright LEDs can produce four colours each: red, green, blue and mint. They can be switched between maximum brightness and maximum colour quality mode. The top-of-the-line control options are fitting for a high-end fixture like the Raccoon P14/4.

The Infinity Raccoon P14/4 RGBM parcan produces up to 8000 lumen and is intended for use in professional environments like rental that require lots of light output. The core-technology of the Raccoon P14/4 is the calibrated XY colour engine, which guarantees outstanding colour accuracy and stability. With the embedded XY technology, it doesn’t matter which XY-capable fixtures you mix, their colours will always match. The calibrated internal controller ensures an exceptionally stable colour output at every temperature of the LEDs and every brightness setting, without any visible colour shift when dimming.

Five different internal dimmer curves are available through the easy-to-use menu system, including a Tungsten shift simulation that works even with a colour filter applied. It can take care of CCT, RGB, and Lee filters internally.

The Raccoon P14/4 can also be controlled through regular DMX, RDM, manual and master/slave. The PWM frequency is adjustable between 640 Hz and 25 kHz, ensuring flicker-free camera images. Basic settings, like PWM and dimmer curve, can be copied among Raccoon fixtures in the same network to guarantee identical behaviour. Sturdy 5P XLR DMX and Power Pro True power connectors ensure reliable connections and IP65 compliance. With its stylish housing and accessories like barndoors, a top hat, filter frames and diffusion filters, the Raccoon series poses an ultra-flexible competitor for high-end parcans.

With their IP65 rating, the just-introduced Rogue Outcast 1L Beam and Rogue Outcast 2X Washes are designed to excel outdoors in all weather conditions, but that’s just the beginning! Thanks to their innovative lightweight aluminium-magnesium alloy housing, these newcomers are also ideally suited to deliver stellar results indoors at clubs, conference centres and live music venues.

“Coming out of the pandemic, rental houses and installers began asking for IP65 moving fixtures, because of the protection from dust and humidity they offered indoors,” said Albert Chauvet, CEO of Chauvet. “However, until now, the weight of IP65 products presented a challenge in some indoor applications.”

Anyone who picks up either of these new fixtures will quickly appreciate how well they meet this weight challenge. Both weigh-in at outstandingly low numbers: 35lbs (16kg) for the 1L Beam and 23lbs (11kg) for the 2X Wash, which, in addition to all their other advantages, makes them very easy to install.

As impressive as they are, these weight numbers tell only part of the story. When it comes to brightness, for example, the Rogue Outcast 1L Beam is a real heavy hitter. It’s light weight and compact dimensions notwithstanding, it puts out more light, (224,670 lux at 5m), than any other LED beam in its class. Chauvet Professional ’s product development team accomplished this by combining a cool white 140W LED and a 160mm font lens to maximize the fixture’s brightness.

Unlike most beams, the Rogue Outcast 1L Beam has the ability to rotate gobos, which opens opportunity to create more captivating aerial effects. It has seven rotating and static gobos on a single wheel. The fixture’s 1.4 degree beam angle adds another dynamic element to its aerial effects. Other features include motorised frost and electronic dimming that allows the beam to be dimmed without having its shape changed.

The Rogue Outcast 2X Wash also packs an impressive array of fixtures in a compact package. Designed to work seamlessly with existing indoor Rogue Outcast Wash units, the new fixture is powered by 19 x 25W Osram Ostar LEDs. This is the same light engine used in indoor versions of this wash, so complete colour consistency is maintained when they are used together.

Like its indoor-only cousin, the Rogue Outcast 2X Wash has 16-bit dimming of the master dimmer and individual colours. A creative wellspring, the fixture also offers five zones of LED control for stunning pixel mapping displays. Its complex DMX profiles open the possibility for more programming versatility, while its fast pan and tilt movements generate excitement.

“The benefits of IP65 fixtures are very attractive, which is why our R&D team has been working so hard on them,” said Chauvet. “Now with our new Rogue Outcast 1L Beam and Rogue Outcast 2X Wash, we’ve made those benefits more widely available than ever.”

Over several years Alcons Audio has been building its L-series of pro-ribbon line array modules into a comprehensive range to bring hi-fi sound quality at concert sound pressure levels to any size of indoor or outdoor venue. The latest LR24/120 mid-size line array is an important extra tool for medium to larger applications.

Currently comprising 18 models, the industry-leading, multi-patented technology of Alcons’ L-series ranges from the LR7 micro line array module – for smaller, portable or permanent applications – up to the LR28 larger format line array module, designed for arenas, stadiums and major outdoor events. All based around the company’s evolutionary pro-ribbon transducer technology.

The LR24/120 is designed to complement the narrower dispersion, longer throw LR24/90 for delivering seamless, exceptional quality sound to medium to larger applications.

The three-way, bi-amped LR24/120 features the bespoke RBN1202rs 12-inch pro-ribbon transducer with acoustically and electronically symmetrical component configuration delivering a natural cylindrical wavefront with unique pattern control in both the vertical and horizontal plane. Without any distortion-inducing horn construction, the transducer produces pure sound up to the highest frequencies, the coherence of the vertical dispersion delivering perfect inter-cabinet coupling for ultimate HF throw and wind stability. Thanks to the RBN1202’s power handling of 2500W, enabled by its 12” voice-coil, and an RMS-to-peak ratio of 1:15 from 1kHz to 20kHz, remarkable intelligibility is complemented by maximum dynamic headroom reserve.

The pro-ribbon driver is complemented by a mid-frequency section comprising two high efficiency 6.5-inch midrange transducers with neodymium motor structure; The low frequency section features a new generation 12-inch transducers, fitted with a large, dual 3.5-inch voice coil neodymium motor. This enables a significantly extended excursion with high sensitivity for very accurate, high output bass, with an extremely low distortion.

With a benchmark-setting fast impulse response and industry’s lowest distortion, the LR24/120 delivers perfect intelligibility and non-compressed, identical tonal balance at any SPL. As with all Alcons L-series systems, this is assisted by Signal Integrity Sensing™ (SIS) pre-wiring. This circuit ensures dynamic cable/connector compensation between the LR24/120 and the Sentinel amplified loudspeaker controller which powers it, providing undistorted, natural sound reproduction regardless of cable length and amplifier impedance load. Dedicated system configuration presets feature the VHIR™ flat-phase processing.

The patented flying system facilitates both compressed and non-compressed suspension, while enabling angle-setting on the cabinets without lifting the array. It has a WLL of 24 cabinets under 10:1 safety.

Suitable for medium to large touring and production applications, the LR24 system is inventory of “The Ribbon Network”; Alcons Audio’s international network for dry-hire cooperation of Alcons systems; backing members with enough inventory to bring the Alcons experience to even the largest audiences.

Philip 'Dr.Phil' de Haan, head of Alcons Audio R&D said: “The LR24 system offers us inroads into the production market and extends our portfolio for the installed market as well. With different conversion frames to connect to other line-arrays, we have embedded the LR24 in the L-series eco system.”

Philip continues: “From the users we’re getting great feedback and the system’s size/weight-to-output ratio, in combination with the unique sound quality, seems to hit the sweet-spot for many. The new wide-dispersion LR24/120 was a logical request from our user group, to extend the Alcons signature sound to a wider audience.”

The LR24/90 was introduced at the NAMM show, followed by special, invitation-only demonstration/test drive events in Hollywood and Nashville to a number of highly regarded US touring sound engineers. Feedback from their encounter with Alcons pro-ribbon sound systems:

Robert Scovill (Rush, Tom Petty & the Heartbreakers): “The performance of the system is spectacular.” Robert is currently on tour with Kenny Chesney and now working with a nearfield system of VR5 mini versatile monitors and BF121 compact subwoofers, to help him dial in the mix in rehearsals and on the road.

Erik Rogers (Godsmack, Hunter Hayes, Avenged Sevenfold) is similarly positive, saying: “I was so grateful for the opportunity to spend time with the LR24 system. I found the detail coming from it was stunning and the horizontal/vertical coverage was absolutely seamless. Alcons is definitely on my rider and I look forward to an opportunity to carry a system on tour." Erik used the LR24 system at the recent CMA Fest in Nashville.

Brad Madix (Rush, Florence & the Machine a.o.) also visited the LR24 demo in Hollywood. “The LR24 really special. The thing that jumps out at you is really how much less work you have to do to get a really clear natural sound.”

Gary Stokes (kd lang, Queen/Adam Lambert) was already a huge fan of Alcons pro ribbon high frequency drivers: "I have experience with other Alcons speakers; Their entire systems are a 'game-changer' and are my audio quality benchmark for live sound.”

Also Greg Price who worked for Black Sabbath, Ozzie Osbourne, and recently Metallica was impressed: “Mixing on the system is very pleasing. Why do I say that?; the lack of distortion in the PA system is absolutely stunning.”

Sean Quackenbush (Brandi Carlile): “A number of engineers I know and respect have also told me really good things about the system, so I wanted to get a closer look. I was convinced that this is the system I want to be mixing my artists through.”

Gord Reddy (Alison Krauss) agrees with that: “Alcons has definitely moved the bar a great deal with what they have done in every octave, but most notably the pro ribbon is a game changer!”

With the LR24/120 adding an important extra option to the Alcons L-series, sound engineers can be absolutely confident that What You Mix is What You Get, regardless of the source material and whatever the size of venue.

Showtec introduces its most powerful series of laser effect units: Solaris. The Solaris series is intended for professional applications and consists of four powerful models, ranging from 3,000 to a staggering 11,000 mW. The models with integrated Pangolin FB4 module unlock the professional QuickShow control software, which is a formidable tool to design your laser show. These powerful laser effects are approaching a high-end professional level. They are Showtec’s first laser effect series with this much quality and power; power from another galaxy now made available to you!

Showtec reveal their latest series of high-end laser effect units, the Solaris, consisting of four models. The entry-level models, Solaris 3.0 and Solaris 3.0 with Pangolin FB4, have a 3,000-mW RGB laser on board and support Art-Net and ILDA, just like the rest of the series. The Solaris 3.0 with Pangolin FB4, the Solaris 5.5, and the Solaris 11.0 are equipped with a Pangolin FB4 module, which unlocks the full capabilities of the award-winning QuickShow software. With QuickShow, creating a professional show is easy. It allows you to control your lasers via your PC through a full network set-up.

The Solaris 5.5 and Solaris 11.0 are equipped with 5,500 and 11,000 mW lasers respectively. All units are very precisely built and use a high-quality construction to ensure perfect matching of the RGB beams and distortion-free images. This high build quality results in exceptionally accurate control over the laser beam.

Because the Solaris series uses analogue intensity control, each model can create a full spectrum of formidable colours. The low divergence of the laser and high scanning speeds (<1.1 mrad at full angle and up to 35 kpps at 8° for the 5.5 and 11.0 models) create a razor-sharp image and beam contour in any colour. Combined with the 45° scan angle, the Solaris laser effects can thus cover large projection areas with high-quality imagery.

Naturally, the Solaris laser effects are CE certified and fully protected against failures to comply with all necessary safety precautions. With a Solaris laser effect, you have a professional piece of equipment at your disposal, suitable for larger venues and professional shows.

Christie has announced the launch of two new pixel pitches of its award-winning MicroTiles LED. The new 0.75mm and 1.0mm models add to the existing line-up of 1.25 and 1.5mm pixel pitches, and offer increased reliability, efficiency, and enhanced durability.

Shown in technology previews at ISE 2022 and InfoComm 2022, the two new models continue the tradition of the original MicroTiles LED by combining state-of-the-art mechanical design with the development of the most advanced LED technology available.

“Attendees to ISE and InfoComm were able to get up close to our new models and see what a difference the finer pixel pitch makes in resolution, colour saturation and seamlessness,” says Chris Kee, executive director of product management, Christie. “MicroTiles LED can be configured in near-limitless ways – from curves and corners to architectural displays – and these new models are especially ideal for up-close and highly-detailed viewing with brightness up to 2000 nits.”

Reliability of the new models has been improved with flip-chip technology, which is easier to maintain and increases the life of the LEDs by dissipating heat more efficiently, and common cathode technology reduces power consumption resulting in Christie’s most energy efficient MicroTiles design to date.

The new 1.0mm model features LED encapsulation, which provides a protective surface that improves optical performance for improved black level performance and perceived contrast, and protects the display from dust, dirt and scratches. The increased durability gives the option to design an interactive touch wall.

Christie MicroTiles LED deliver superior visual performance with powerful processing including 12-bit input sources, 4K at 60Hz, and HDR10 compatibility. The proprietary QuickMount system reduces installation complexity, while the proprietary cabinet-free Click-n-Go LED tiles can be arranged in near unlimited configurations. MicroTiles LED are ideal for environments including mission critical control rooms, corporate lobbies and meeting rooms, auditoriums and event spaces, and premium hospitality and retail applications.

Christie MicroTiles LED 0.75mm and 1.0mm models are available for order now and will ship in early 2023.

ETC has released a new ETC Library App, making ETC documentation accessible from one convenient location. Through the app, users can easily view and share datasheets, brochures and other standard technical documentation for all ETC products. The ETC Library App replaces the former ETC Product Portfolio and is hosted on an entirely new platform.

Users can expect improvements in both speed and search functionality on the app, with the ability to look up documents by part numbers and more. The cloud-based platform also saves storage space for users, allowing them to directly download only the files they need. The new app makes it simple to create a collection of documents and share them via email, text message and more.

The ETC Library App is now available with all ETC product datasheets and with plans to continue expanding documentation and language options. Users who previously had the ETC Product Portfolio software downloaded on their desktop will need to download the new ETC Library App for current documentation. Users who had the Product Portfolio app on mobile devices will simply need to update the app.

To download the ETC Library App, please visit www.etcconnect.com/library. Find more ETC apps at www.etcconnect.com/Apps

Litepanels, a global provider of professional broadcast and cinematic lighting solutions and a Videndum brand, has announced the global launch of its Studio X Fresnel range. The high-performance, energy efficient Fresnels are available in six models with lens sizes from five to 14 inches. Each model offers directional precision spot to flood beam control of quality white light, perfect for lighting talent in studios.

Natural talent light with perfect skin tone rendering is achieved with high output COB LEDs to produce superior white light. With no variation in quality at any dimming level from 0-100% or across the adjustable CCT range from 2700°K to 6500°K, Studio X bi-colour Fresnels perfectly match ambient and practical set lighting to show talent in a naturally realistic light. Daylight and tungsten models are also available.

Following successful installations into broadcast studios in the USA, Studio X Fresnels, engineered in partnership with Italian broadcast lighting professionals, Quartzcolor, are now available worldwide.

“Litepanels LED panels are installed into leading studio facilities worldwide and customers have been asking for a broadcast quality bi-colour Fresnel series to pair with them,” said Michael Herbert, product manager, Litepanels. “The Quartzcolor Fresnels bring high quality, colour accurate output with matching CCT values in robust, broadcast quality fixtures that complement our panels to provide a complete studio solution.”

The smallest model, Studio X2, is a 60W Fresnel with a 5” lens and a spot-to-flood beam angle range of 10°-49° delivering up to 2,300 lux at 10ft/3m (spot). The largest model, Studio X7, is a 360W Fresnel with a 14” lens and a spot-to-flood beam angle range of 6°-57° delivering up to 28,116 lux at 10ft/3m (spot). Studio X3, Studio X4, Studio X5 and Studio X6 make up the full range. Studio X3 and larger include RDM-DMX in/out connectors and PowerCON True 1 in/out connectors. All units include four-leaf rotating barndoors. Advanced thermal management ensures 50,000+ hours of LED engine life.

“Fixtures in the Studio X range use up to 85% less energy than traditional Fresnels and, because they emit less heat, can significantly reduce HVAC costs,” continued Herbert. “Broadcasters are increasingly turning to LED lighting to improve their efficiency and we are delighted to offer a combination of LED panels and Fresnels that can help them to minimise power consumption without sacrificing quality.”

The Litepanels Studio X Fresnel range is available now at Litepanels authorised retailers.

APT-GB launched a latest, most advanced series of its globally successful >Teleprompter.video SMV stage-monitor form factored teleprompters at PLASA 2022.

These unique teleprompter designs are intended for use in a wide range of performance, production and presentation applications, by a wide range of users from singers to pastors. Amongst a list of innovations, the new SMV2 series encompasses a range the most common and newest video formats with input and output conversion of NDI, SDI and HDMI all in a single platform, making it a much more accessible technology.

A complement of NEUTRIK connectors includes dual etherCON with Halo connectors supporting onboard video networking, with SMV2 series models receiving, converting and outputting multiple signal formats (NDI, RTSP and many more) via the I/Os and the Halo continuously indicating power and connection speed status.

NEUTRIK Halo products integrate a new, patented light ring along with an asymmetrical, non-metallic push tab into the design of the company’s popular A series chassis connectors. Halo product variants include the NC3FAH2-LR-DAE and NC5FAH-LR-DAE female XLR connectors, the NC3MAH-LR and NC5MAH-LR male XLR connectors, and the NE8FAH-LR-DAE etherCON connector.

By placing one or two SMD LEDs on circuit boards, the connectors can be lit up for useful and attractive visual feedback such as input detection, transmission status, connection status, phantom power, operating mode indication, and other useful information. The NEUTRIK Halo light ring delivers an innovative, forward-looking alternative to light pipes. With their standard cutout, no additional holes for light pipes are required in the device panel. These connecters provide improved visibility compared to light pipes, and different colours can be displayed on the left and right sides of the connector, all of which results in a design element that is both visually appealing and informative.

Audient has announced that the ASP4816 Heritage Edition console is ready for shipping. Previewed back in June at this year’s NAMM show, it features a brand new look and a few more tricks up its sleeve, inspired by its larger counterpart: Audient’s flagship console, ASP8024-HE.

Marketing director, Andy Allen says: “Designed from the ground up by David Dearden and featuring his legendary analogue circuitry, the ASP4816-HE is the perfect centrepiece for production studios.” Upgrades include Vintage Mix Bus processing, John Hardy Op Amps on the mix bus output, powerful new additions to the Mix Bus Compressor and much more.

“The addition of the Vintage Mix Bus gives our customers the flexibility to add that much coveted analogue colour to their mixes and when utilised in tandem with the Mix Bus Compressor, they are the perfect tools to add the finishing touches to your mix,” explains Andy. Featuring a real Transformer Drive alongside a Low Bump and High Lift EQ – inspired by classic mastering equalisers of yesteryear – they allow for wider, more spacious mix bus tones.

Another enhancement also found on the ASP8024-HE is the bus compressor Bass Expand feature. According to Andy: “This brand new high pass filter in the compressors’ side chain tightens up your mixes and adds punch without destroying your low end.”

The mix bus summing amplifiers have also been significantly upgraded to the renowned American John Hardy 990 discrete transistor amplifiers. “These offer increased dynamics, sweet spot and punch, ensuring your mix bus benefits from total clarity with a little bit of character,” says Andy.

Further improvements to ASP4816-HE include the addition of a monitoring grade headphone amplifier, latching footswitch triggers for remote hands-free talkback, an all metal main output pot and a gain reduction VU meter.

Shipping at the same time is the standard ASP4816-SE, which has had its own aesthetic redesign. With 48 inputs and 16 Console mic pres (the same as those in ASP8024-HE and across the entire Audient range) both of these inline consoles provide the versatility and sound of a large format recording console but in a compact, space-conscious package.

“They both sport a new colourway, all-new cool-white metering, easy to read labelling and a stylish, UK handmade wooden armrest,” explains Andy, indicating their new looks and ease of navigation. “With ASP4816-SE we wanted to add value to our smallest console and provide a better user experience, without affecting its affordability.”

Audient is also showcasing the new desks with a series of high quality Feature Overview videos, which give potential buyers a clear idea of the desk before committing to a purchase.

As well as their versatile array of connectivity, the signal conditioning, routing, summing, processing and monitoring capability of both the HE and SE make them suitable for both professional and project studios. For the full, detailed list of features – as well as a comparison table of the two consoles – head over to Audient’s website.

disguise has launched its first integrated hardware and software solution for cloud-native broadcast graphics production. Developed with Polygon Labs – which was acquired by disguise earlier this year – the solution is made up of the new Porta 2.0 cloud app and px hardware. Together, they enable broadcasters to seamlessly create, control, and collaborate on real-time graphics directly from a web browser. Porta 2.0 and px will automatically match studio lighting conditions to graphics, manage tracking, control LEDs and more, all in one place.

The new solution will be demonstrated at the IBC Show in Amsterdam next week, giving visitors the chance to witness the technology in action. The disguise booth will feature a full extended reality (xR) stage with the new Porta 2.0 software so visitors can get hands-on creating real-time UHD content. Porta 2.0 will be controlling xR, AR, CG and ticker graphics all from a single efficient web browser interface.

“Porta's real-time data-driven graphics workflow will significantly accelerate your xR and AR broadcast production,” says Grigory Mindlin, broadcast general manager at disguise. “That’s why we developed the new Porta and px. With them, anyone can work on an extended reality production collaboratively, making everyday Unreal Engine graphics a simple operation. Team members can edit dynamic content on the fly, create playlists, and modify Unreal parameters, such as light values, as well as trigger d3 timeline cues to synchronise physical and virtual lights.”

With Porta 2.0 and px’s template features, creatives also have more flexibility. Users can easily build templates of Unreal Engine graphics including text, images, 3D objects and trigger commands, all without the need for blueprints or coding. Templated graphics only need to be created once to then be used across multiple projects. Templates can even be stacked into playlists so that all graphics appear at the perfect time.

Additional benefits for customers include:

Stress-free remote working – No matter where they are, creative and operational teams can collaborate on virtual sets and 3D graphics production remotely with a web-based interface accessible on a phone, tablet, laptop, or desktop.

Real-time data integration – Porta 2.0 and px customers also have access to Ipsum, Polygon Labs’ centralised data aggregation, curation, and playout control platform, enabling integration with third-party APIs, databases and files for real-time graphics. Ipsum and Porta are connected so that you can use your data in Porta or directly in Unreal Engine.

Built-in disguise support – Anyone using Porta 2.0 and px can easily connect their system into disguise’s Emmy-Award-winning augmented and extended reality solutions.

Porta 2.0 will be available as a SaaS subscription which will provide simple access and unlimited scaleability.

Avolites has released its new stand-alone video application, Prism Zero, to bring simplicity to complex video design and integration. The application expands the Prism range of live production tools alongside significant upgrades to Prism Player. The new platform is ideal for venues, corporate events or art installations where there may not be a video specialist on site. Prism Zero expands the set of complementary tools to give designers a straightforward platform to integrate video into their projects. Building on the feature set of Prism Player 1.1, the software enables media to be easily integrated, previewed, cropped and played back.

Prism Zero connects directly with all Avolites Titan lighting consoles via NDI connection and is controlled through the Synergy settings in both platforms. Playback, layer control (such as aspect ratio and colour adjustment), media transfer and pixel mapping can all be controlled via Synergy for seamless lighting and video integration. Video can be pixel mapped directly onto colour mixing fixtures. Media clips in different codecs can be previewed and converted on-the-fly including into the high-quality AiM codec.

“Incorporating video into projects can be complex and time consuming,” explains Paul Wong, managing director at Avolites. “In the current climate, more lighting designers are taking on more responsibilities and adding more elements to a show can mean learning a new software platform. Prism Zero provides the first step into integrating video into designs with a simple user interface and powerful feature set that allows users to start bringing more complex elements to their shows without the need for training.” Avolites has also announced that both Prism Zero and Prism Player 1.1 will later this autumn natively support NotchLC, a high-quality, GPU powered codec capable of being used for both intermediary and playback. It brings the equivalent of 10-bit accuracy in a scrubbable codec that is extremely fast to encode and decode, with a compression ratio of around 5:1.

With the release of Prism Zero, Avolites’ ecosystem approach to lighting and video integration is gathering pace. With Ai being the lead platform for more complex shows or the tool for video specialists. Prism has been created for every designer to be able to integrate video into their shows.

Prism Zero and Prism Player 1.1 are stand-alone applications available to download for free (both are compatible with Windows machines). Users will need an Avolites Editor AVOKey or any Avolites Ai license to use Prism Zero.

For more information or to download the software visit www.avolites.com/prism-2  

The new V-Series IrisX IP Panel from Clear-Com expands the capabilities of the original V-Series Iris Panel, delivering new thin-film-transistor (TFT) displays for increased brightness and better resolution combined with the V-Series Iris’ lower latency and increased port capacity. Truly a modern panel, IrisX fits naturally into IP-based productions with AES67 connectivity and dual NIC connections. Along with all V-Series Panels, IrisX will take advantage of key new features found in Eclipse HX software including role-based workflows and several redundancy measures, including N+1 card redundancy and network redundancy. Additional benefits of IrisX include capacity for three concurrent full duplex uncompressed audio streams and backward compatibility with MVX-A16 and IVC-32 cards.

New TFT displays in IrisX enable higher resolution and increased variation in brightness for clearer label information and data display, whether a user chooses a dim viewing option in a dark theatre, or the brightest setting for viewing in direct sunlight at an outdoor event. The new displays are far more resistant to burn-in or fading, thus allowing for a significantly longer overall lifespan.

With the ability to provide up to 64 ports when combined with just a single E-IPA card, and less than 10ms audio latency from IrisX panel to frame via an AES67 connection, IrisX is upping the game and delivering additional value to users. IrisX supports three different connection options with a direct 4-wire, AES67 or the company’s proprietary I.V. Core protocol, ideal for applications that are reliant on the public internet.

“As display technologies improve, we want to bring those advantages to our users. We have developed IrisX based on feedback from users in the field across multiple market areas who are looking for increased brightness and resolution, and we believe they will be thrilled with the new features and functionality,” concludes Stephen Sandford, senior product manager for Clear-Com. “We’re excited for our customers to get their hands – and eyes – on these new panels!”

IrisX is available in a variety of models that include 12, 24, or 32 keys in Rotary, Lever, and Pushbutton varieties, as well as expansion panels.

Sennheiser is adding a high-quality, miniature omni-directional lavalier-style microphone to its comprehensive microphone portfolio with the release of the MKE mini. With a total length of 9cm and ultra-light weight (7g), the MKE mini is convenient to wear, while meeting the special challenges of a moderator microphone.

As with much of Sennheiser’s innovation, the MKE mini was developed in response to direct customer feedback and requests. Users demanded a presenter mic that can be worn with any hairstyle, is unobstructive and easy to install, and provides excellent sound quality. In response, Sennheiser has made microphone set-up for lectures and speeches extremely easy. All that is needed for setup is to connect the microphone to a bodypack and attach a lanyard. Additionally, the MKE mini is the perfect fit when wearing a hairstyle that doesn’t allow for a head mic or an outfit that offers no possibility to clip a body pack.

To ensure the premium audio quality one would expect from Sennheiser, Sennheiser equipped the MKE mini with the KE 4 capsule, derived from industry standard MKE 2, which provides a warm and distortion-free signal, even at high sound pressure levels. The MKE mini also features Sennheiser’s Umbrella Diaphragm technology, protecting the mic against sweat and other moisture.

“Our customers have often voiced struggles with headmics that don’t fit well over their hair, but many also struggle with where to place a body pack and lavalier mic, if they don’t have a belt or pocket to hook the beltpack to,” commented Inesh Patel, business development manager, business communications, Sennheiser. “Therefore, we designed the MKE mini to hang with a bodypack around the neck on a lanyard with placement right under the chin, which is ideal.”

Samantha Butler, IT & AV support manager at Bangor University, got the chance to test the MKE mini. “I love it. I think it's great that I don't have to try to find a place on my outfit. I can just clip it, because quite often, there’s nowhere to put it.”

To make it easy for customers, distributors and integrators to learn more about Sennheiser’s microphone solutions, including the new MKE mini, Sennheiser has announced the availability of the Sennheiser Business Communication Microphone Guide 2022.

By offering a microphone for any situation in the workplace or classroom, Sennheiser’s goal is to make collaboration and learning easier. From the smallest meeting rooms or learning spaces to the largest educational and corporate campus installations, Sennheiser has the right microphone solution to simplify your life.

The Sennheiser Business Communication Microphone Guide 2022 can be downloaded here.

Following the successful launch of the NX1 lighting control system at the Prolight + Sound trade show in Frankfurt in late April, the NX1 console along with the add-on NX P playback wing and NX K keypad are now being delivered in large quantities to customers around the world.

The NX1 is the newest member of Obsidian Control Systems’ ONYX family of lighting consoles. Ultra-compact yet fully-featured, it is designed to handle a huge variety of shows where an intuitive console is needed without a PC. “The Obsidian NX1 is an outstanding compact and affordable lighting console that’s been developed with no compromises and without frustrating limited features that don’t quite work right, like you often experience between smaller and larger desks,” stated Matthias Hinrichs, product manager at Obsidian Control Systems, who was part of the NX1 development team. “We were able to take the entire ONYX platform without limitations and fit it into a premium hardware at an incredible price point. From the custom-designed motorised faders to the precisely milled front panel and sunlight readable touch screen, everything on the NX1 has been optimized to provide the best user experience.”

The NX1 offers a slate of professional features in a low-profile design like a high-brightness 10.1" HD multi-touch screen, four assignable parameter encoders, ten full motorised playbacks with four freely assignable buttons plus an extra playback and function key hybrid array. A dedicated Master Go section rounds out the efficient front panel design. Made of rock solid construction, the latest in industrial grade components allows for fast boot times, instant operation and the ability to process eight universes right inside the console. Measuring only 298.5mm x 636mm x 71mm (11.75 x 25 x 2.8in.) and weighing a light 4.5kg (9.9lbs), the NX1 fits under one arm and is portable enough to carry on commercial flights.

“Our hardware and software team really excelled at building the ultimate compact controller that the market has needed for a long time,” Hinrichs continues. “We are thrilled to have met this challenge and the incredible amount of pre-orders for the NX1, NX P and NX K is proof positive that we have hit the sweet spot of price and performance with this new range in the fast growing ONYX platform.”

The NX1 offers a pair of easy-to-add companion tools that when combined with the console create an even more powerful and flexible control solution. The NX1 is expandable with the dedicated NX P motorised playback wing, which replicates the full playback section of the NX1, and the compact USB-powered NX K keypad, which replicates the full keypad and command section of larger consoles. A simple magnetic alignment system allows attachment to either side of the NX1. The keypad and playback wing are part of the ONYX platform and can be utilized with all other NX devices or ONYX PC control systems.

Aligned with the shipping release of the NX1 is the newly released ONYX 4.8 Version software, which enhances the user experience of the ONYX platform. The new version software adds support for up to 16 NX P playback wing modules, improves visual colour mixing feedback and ensures full compatibility up to the latest Windows 11 Operating System. ONYX Version 4.8 is available for all ONYX consoles and PC systems at www.obsidiancontrol.com

High bandwidth fibre network specialist, BroaMan, has extended its successful range of Mux22 devices with the addition of the Mux22 12G, an all-in-one 12G-enabled unit.

It will make its debut on stand (Hall 8, Stand A97) at next month’s IBC2022 broadcast show at the RAI, Amsterdam (9-12 September).

Mux22 in its different guises has been providing solutions in the broadcast environment for nearly a decade due to its protocol independence and ability to process any signal in just a small 1RU chassis.

Since the 4K era has been firmly adopted by both the commercial and consumer markets, it was only a matter of time before customers asked BroaMan to enable 12G transmission in its devices, states BroaMan MD, Tine Helmle. “Up until now, 12G was available for our Repeat 48 and Repeat 8 Nano, but what the market was really waiting for was the possibility of upgrading our point-to-point device which is our unique Mux22. With its many capabilities and Optocore compatibility, it can also form part of an Optocore loop.”

The final icing on the cake, she emphasised, is the option to upgrade existing Mux22 devices to the new 12G version.

Like all Mux22 devices the new interface will support eight video streams of 12G, an SDI standard supporting greater resolution, frame rates and colour fidelity. At four times the bandwidth of HD it carries around 12 Gigabits per second, making it ideal for the 4K UHD format. Of course this fibre infrastructure also supports 3G, HD and SD-SDI (up to 80 channels), as well as acting as a stand-alone 3G/HD/SD-SDI Router and Repeater. Its universal architecture means it also supports all Data, Audio, Intercom, Ethernet and MADI (functioning as a MADI electrical to fibre converter).

The new Mux22 12G is both real estate-friendly and energy efficient, while its fanless design means it operates silently.

Other features include dual-power supply stability, stable synchronous operation, configurable for any situation, dual fibre redundancy, Unique auto routing feature and Optocore compatibility.

The Mux22 12G will commence shipment in October.

KV2 Audio has announced the launch of the 500 Series range of high quality processors which, for the first time ever, are available directly from KV2’s online store at https://shop.kv2audio.com/

The range comprises three models: the TCL thermo-compressor/limiter, the QD8 stereo eight-band master EQ with line driver and the MPA microphone preamplifier.

The TCL is a unique analogue thermo audio compressor featuring a superior natural RMS detector and dynamic voice bass enhancement control. In another KV2 first, its patented design offers an exceptionally musical and natural compression that is a component part of its real-time input, rather than a typical side-fed gain reduction circuit attempting to either follow or anticipate compression demands. Its additional bass balance control circuit allows the user to smooth out and minimise any proximity effects from a changing microphone position, giving the perfect voice colour to every performance, from beginning to end. Featuring source intelligent attack and release times, whatever the dynamic content, with just a few simple steps the results from the 500 Series TCL are truly exceptional.

QD8 is a revolutionary George Krampera eight-band stereo equaliser specifically designed to highlight a desired band without adversely affecting the overall sonic landscape. Whilst not intended for tuning out room modes, the frequency bands and filter types have been precisely chosen after extensive research to perfectly align with the science of human hearing and perception of achieving the ultimate spectral balance. In a live scenario, faced with a number of different sources, program types, or performance genres at a festival or concert, the equaliser is very musical, intuitive and provides an exceptionally quick way to shape any mixed content to the sound you want to hear. In the studio, it can be either the simple enhancement of an instrument/vocal track, or the final mastering polish to take an ordinary mix and make it something very special.

The MPA is a very high definition microphone and musical instrument preamplifier with Class-A circuitry and a high quality transformer balanced output. A stepped input gain selector is provided for easy and precise repeatability of settings. The preamplifier features adjustable high and low pass filters, with an adjustable limiter to control clip level and a transformer isolated high impedance line input. It also has a further auxiliary transformer balanced isolated output, meaning a number of these units can be used together to create a multi-channel stage preamp for splitting FOH and monitoring outputs, or for broadcast and recording duties delivering them all through line drivers in pristine audio quality. Phase reverse and an in-built headphone amplifier, which doubles up as a third output, completes the rich feature set. With the exceptional quality of all KV2’s analogue outboard electronics, the MPA can replace a preamplifier, DI-box/splitter, line driver and headphone amplifier all in one box.

Andreas Hammerich, director, technical production management and sound designer for Germany´s leading musical theatre production company, Stage Entertainment, was able to test the new devices in a colleague’s studio and was thoroughly impressed with the results. “The compressor and the EQ are the finest sound shaping devices I have heard so far,” he says. “The most impressive quality of the compressor is the way it takes the annoying, 'ear pressuring' part away without changing the natural sound of the voice. And it sounds totally transparent, there are no audible artefacts at all. For me they make all other compressors redundant, unless you particularly require certain audible colours or effects, of course.”

For the EQ, Hammerich noted the astonishing speed with which he was able to make improvements to his mix or particular problem signals. “You get insanely quick results. I would particularly recommend it as a live master mix EQ or mastering EQ, but also as an insert for difficult signals in a live mix, like upright bass, vocals, cello, maybe even drums/overhead mics.”

Finally, he was delighted with the mic preamp, as was his colleague Wolfram, one of the most experienced engineers in German recording history. “Wolfram joked that he was literally ready to sell his mic preamp collection and replace it with these, at least until the MPAs get popular and the collection is worth something,” says Hammerich. “For me, I don’t think there is a better mic preamp anywhere, I was expecting the audio quality to be superb as I already use a VHD preamp from KV2 that I love, and MPA didn’t disappoint. It was clearer with more distinct high frequencies and closer to the original than any other unit we tested it against. I can tell, because I listened to KV2’s ES10 speakers which are able to reproduce this level of detail.”

All three units are shipping and available from KV2’s e-shop at https://shop.kv2audio.com/

Featuring a high frequency array of ten 1.5” speakers and a compact, powerful 12" bass reflex subwoofer, all driven by a powerful Class-D amplifier, STAGEPAS 1K is an all-in-one portable PA system that delivers professional audio performance from a small footprint and slimline vertical profile, with fast and simple setup. Now, enhanced sound and control features in the new mkII version make it even more flexible and powerful.

With a coverage area of 170° (horizontal) by 30° (vertical), STAGEPAS 1K delivers uniform, high-quality sound throughout an audience. The on-board digital mixer offers extensive input capabilities, with three channels of mono microphone/line inputs, plus stereo inputs, as well as straightforward operation of 1-knob EQ and music/DJ/speech mode, allowing users to get the sound they want quickly and easily.

Since 2019, it has been the choice for a wide variety of uses, including music duos, small groups, mobile DJs, presentations, meetings and speeches, the included carrying case and optional DL-SP1K dolly allowing for easy transportation, letting users transform any location into a stage.

The new STAGEPAS 1K mkII adds enhanced sound pressure levels and more flexible remote control to all the features which made the first generation system so popular.

A fully-redesigned 1100W Class-D amplifier delivers top-of-its-class 125dB SPL with stability and accuracy, allowing users to stage even more powerful performances.

The functionality is enhanced with STAGEPAS Controller, an all-new software application which allows you to remotely control all STAGEPAS 1K mkII parameters using an Android or iOS device. In addition, a scene recall feature allows you to save and recall your settings for individual songs or applications, reducing the setup time during rehearsal or performance.

Complementing the STAGEPAS 1K mkII is the new DXL1K, a much-requested ‘sister’ system without the onboard mixer. Featuring an identical power amplifier, speaker arrays, high grade construction and slimline profile, the DXL1K delivers the same powerful, high quality sound.

As well as being suitable for use as a stand-alone powered speaker system with a separate audio mixer, linking STAGEPAS 1K mkII and DXL1K systems provides increased coverage and output power for larger-scale events. A 1:1 system can be set up to deliver either stereo or mono sound. If the STAGEPAS 1K mkII is set to deliver mono audio, the inputs of the DXL1K and STAGEPAS 1K mkII can both be used, meaning up to five mono inputs plus one stereo input are available.

Similarly, two DXL1K with two STAGEPAS 1K mkII (or three DXL1K with one STAGEPAS 1K mkII) can be used to cover a wider or deeper area with either stereo or mono audio.

“STAGEPAS 1K is well accepted in the market and has been a very popular solution for a wide range of small-to-medium sound reinforcement applications worldwide," says Thomas Hemery, general manager of Yamaha Pro Audio marketing and sales department. “With the second generation version we have enhanced its output power and functionality, as well as its expandability with the new DXL1K. The DXL1K is also suitable as a main speaker for professional portable PA systems, using a separate compact mixer.

“We strongly believe that the updated STAGEPAS 1K mkII and the DXL1K will help a wider range of users, from musicians to professional sound engineers, to deliver the best performances from their stage.”

ETC introduces the High End Systems SolaPix 19 XT wash luminaire, an IP 65-rated SolaPix 19 designed specifically for indoor and outdoor events. It utilises a weatherproof housing and sealed glass front lens to deter the ingress of dust, water, and other liquids.

The SolaPix family takes the traditional concept of a pixel wash and pushes it to its maximum potential. With a wide variety of looks to help set the mood and steal the show, SolaPix features an additive LED, RGBW color mixing system for extremely powerful saturated colours and tuneable white control, a versatile 4.5° - 60° zoom range, FleX Effects Engine, and Pixel mapping on all models.

Automated lighting product manager Matt Stoner commented: “The SolaPix family has given users around the world the opportunity to utilize a bright fixture at a great size and price. Now with the SolaPix 19 XT, we can take this popular fixture outside without concern for weather or environmental factors.”

Market manager Tania Lesage adds: “We are excited to add the XT model to the success story of our SolaPix family. This new fixture brings you high-quality looks as well as many options to mix in cutting-edge, eye candy visuals in both indoor and outdoor settings. SolaPix 19 XT is not only an exceptional light, it is also a durable investment.”

UK - Absolute Sounds, the UK’s foremost high-end audio distributor, welcomes Metaxas & Sins’ brilliant reel-to-reel analogue tape machines to its peerless portfolio of exceptional audio equipment from around the globe.

These wonderfully tactile mechanical devices have been selected by Ricardo Franassovici, Absolute Sounds’ founder and MD, to join Ten, a carefully curated collection of extraordinary sonic creations from independent makers, which sits alongside the main Absolute Sounds portfolio.

Founded by Kostas Metaxas and based in the Netherlands, Metaxas & Sins is renowned for the quality and originality of its design approach, creating “high-end audio sculptures” and “kinetic art objects” that are as striking to the eye as they are to the ear. Kostas is a renowned artist and product designer whose collaborations with revered luxury brands stretches well beyond audio equipment: pens, clocks and much more besides. He’s also a prolific recording engineer who’s made hundreds of live concert recordings using magnetic open-reel tape. These passions meld together in breathtaking form in each unique Metaxas & Sins creation, handmade by Kostas and his sons to create sonic art that deserves to be treasured – “art colliding with audio technology”, in the company’s words.

Although Metaxas & Sins makes a variety of audio equipment including amplifiers and speakers, its reel- to-reel tape machines have attracted particular attention. For decades, right through to the 1990s, magnetic tape wound across a pair of open reels was the established medium for master recordings in the music world. Although digital recording and storage now prevails, analogue recording on magnetic tape is still preferred by some artists and its use continues to this day. In terms of consumer use, reel-to- reel tape was never a widely adopted format in the manner of vinyl or compact cassette in the pre- digital age and, while some enthusiasts did use the format at home, its use in domestic settings all but died out decades ago. Until recently…

While not to the scale of the vinyl revival, there has been a rekindling of interest in reel-to-reel tape among a passionate group of enthusiasts in the audiophile community. This has been fuelled by increased availability of classic albums on open-reel tape, accompanied by the attraction of hearing the album on the format on which it was made. In sonic terms, reel-to-reel has the potential to deliver the warmth of analogue sound with less processing, greater dynamic range, and better clarity and extension at the frequency extremes than vinyl records. Much depends on how the copy is made: a first- generation copy dubbed in real time directly from the original master tape can get you closer to the entirety of sound captured during the recording sessions for a classic album than any other format, but only if you have a reel-to-reel machine cable of doing it justice.

Metaxas & Sins makes two reel-to-reel tape machines: the TR-X Tourbillon and the Papillon. Both are designed from the ground up to utilise the finest component parts available today, from the heads to the entirely discrete circuits, and the sound quality they deliver puts ‘classic’ reel-to-reel machines to shame. Although Absolute Sounds will carry both machines, the initial focus is firmly on the TR-X Tourbillon. Designed for 10.5-inch reels, the Tourbillon is a ‘location recorder’; in other words, sufficiently compact and transportable to be used in a variety of environments, rather than purely recording studios, with an optional battery box so it doesn’t have to be plugged into the mains. Its design revels in the tactile appeal of precision mechanical machinery; in the hands of its operator, with the turn of each dial and the flick of each switch, it performs its function to deeply satisfying perfection.

As is the case with all Metaxas & Sins’ creations, the design is horologically inspired. In high-end wristwatch design, a tourbillon (French for whirlwind) is an addition to the mechanics of a watch lever escapement to increase accuracy. The TR-X Tourbillon is the first reel-to-reel tape machine to use the same concept to regulate the speed of the tape; add this to the machine’s perfect mechanical design and it’s no wonder that Metaxas & Sins says the Tourbillon tape machine represents the point “where horology meets hi-fi”.

In the words of Metaxas & Sins: “The TR-X Tourbillon is an entirely newly designed professional reel-to- reel tape location recorder and playback machine that meets and exceeds the highest demands of recording engineers and the most serious audiophiles, combining 2020s technology with 1960s ‘soul’.”

The TR-X Tourbillon is available in two versions – one for recording and playback, the other for playback only, with UK RRPs of £59,998 and £46,998 respectively. The optional Lion battery box is £3,200; there’s also a matching stand at £9,398.

As Ricardo Franassovici explains, the time is right for Absolute Sounds to distribute these fabulous reel- to-reel tape machines, the first such devices the company has carried since its formation in 1979.

“There are two important reasons why I have selected these Metaxas & Sins tape machines to join the Ten collection. The first is that thanks to a number of specialist suppliers, the increased availability of the reel-to-reel format to consumers makes it a viable – and highly satisfying – medium for music connoisseurs. The second, and crucial, factor is that Metaxas & Sins has succeeded in elevating the sound quality from open-reel tape to new levels, wrapped in a package that exudes individuality and flair. Unique, exceptional, highly desirable – these are perfect additions to my Ten collection.”

City Theatrical is expanding its line of QolorFLEX LED tape and accessories with a ninth type of QolorFLEX NuNeon, which brings the brightness and flexibility of QolorFLEX NuNeon linear lighting to the film and video world by combining it with City Theatrical’s HiQ High CRI LED Tape technology.

QolorFLEX NuNeon, tuneable white HiQ High CRI (P/N N914-H27006500-5) is a sealed LED linear product that is extremely flexible and IP67-rated for indoor or outdoor use. It offers exceptional on-camera colour rendition with a Color Rendering Index (CRI) greater than 94, allowing lighting professionals to meet the needs of high quality film and video lighting.

QolorFLEX NuNeon, Tunable White HiQ High CRI has a colour temperature ranging from 2700K to 6500K, beam angle of 120°, brightness of 600 lm/m, power consumption of 70w/5m (4.27 w/ft), and density of 240 LEDs/m. QolorFLEX NuNeon, Tunable White HiQ High CRI is sold in 5m reels through City Theatrical distributors worldwide, and is technology that is exclusive to City Theatrical.

Like all types of QolorFLEX NuNeon, QolorFLEX NuNeon, Tunable White HiQ High CRI is rugged, outdoor-rated, dimmable, can be cut to length, and offers nearly the same visual impact as traditional blown glass neon without the problematic issue of installation and maintenance. QolorFLEX NuNeon operates on 24VDC, can be powered and controlled by a variety of QolorFLEX Dimmers and power supplies for ultra-smooth, flicker-free dimming, and is ETL listed and CE and RoHS compliant.

To complement this new QolorFLEX NuNeon, Tunable White HiQ High CRI linear lighting, City Theatrical also offers four other QolorFLEX HiQ High CRI LED Tapes, in colour temperatures that include 3200K, 6000K, and 2700K to 6500K in a single chip, as well as recently launched QolorFLEX 5-in-1 HiQ High CRI LED Tape (P/N 5050-24-RGBH27006500-60-5-20-1), which is a five-in-one 24V LED Tape with a CRI greater than 95 and is 25% brighter light than other five-in-one LED tapes for the needs of film and video projects.

Other new QolorFLEX products include recently launched Aluminum Extrusion, 45°, 2m (P/N 6693) which provides lighting professionals with more flexibility in LED tape installations, such that they can easy mount and direct LED tape light at a 45-degree angle for cove lighting, wall washes, and foot lighting.

This expansion of the QolorFLEX NuNeon line aligns with City Theatrical’s strategic direction to support film and video projects worldwide with innovative lighting accessories for film and video.

When it was introduced in March, 2021, the Ovation Rêve E-3 set a new standard for LED ellipsoidals by combining a full spectrum of saturated colours with vivid whites featuring +/- green adjustments, along with a host of other features. Now Chauvet Professional is rewriting the rule book again, with the new Ovation Réve E-3 IP, which offers all the output and performance of its popular predecessor, along with the added benefit of being an IP65-rated fixture.

The brightest full spectrum ellipsoidal on the market, the Rêve E-3 IP has been designed to excel indoors or out in theatre, broadcast, event and production applications. The new fixture offers the same 2800K to 8000K colour temperature presets as the original Rêve E-3 to deliver unparalleled quality of light. An emulated red shift for a tungsten-like look and four 16-bit dimming curves add to its versatility, while its adjustable yoke make it easy to mount in a wide range of spaces.

Powered by 91 LEDs (12 red, 19 green, three blue, nine royal blue, 24 amber and 24 mint), the Rêve E-3 IP light engine produces a rainbow of realistic, captivating colours. Additionally, a virtual colour wheel matches a wide spectrum of popular gel options.

Ideal for indoor and outdoor film and broadcast applications, the Rêve E-3 IP has silent fan-off modes. What’s more, its six adjustable PWM (Pulse Width Modulation) modes protect against on-camera flickering. Thanks to its IP65 rating, the new fixture is very technician friendly, as its inside remains dust and debris free, making it easier to maintain.

“The introduction of the Ovation Réve E-3 IP is the latest example of our total commitment to becoming a comprehensive resource for IP65 rated products,” said Albert Chauvet, CEO of Chauvet. “We pride ourselves in offering complete lighting solutions, and today that means being able to achieve the highest standard in indoor or outdoor applications.”

MA Lighting has now released the grandMA3 software version 1.8. In a very short release cycle MA presents massive workflow improvements and new functionalities in the following areas:

New workflow for symmetrical movements

In addition, lots of already existing features are taken to the next level. The DMX tester gets encoder bar control and the entire grandMA3 system can be set up offline with the help of device configurations. XYZ programming gets more powerful than it ever was. grandMA3 version 1.8 introduces the possibility of fading between MArkers and even between XYZ and pan/tilt positions in the same sequence.

The manual cue mode in the Content Sheet and the reworked LUA editor are just some more examples of a big variety of new features and functionalities.

The complete list of features and enhancements is documented in the release notes at: www.malighting.com/grandMA3-software

Additionally, the MA E-Learning with the grandMA3 special course v1.8 presents detailed information about the new software release. The local MA distributor will help to get access to the MA E-learning platform.

Last but not least, MA Lighting offers grandMA3 v1.8 public webinars! 45 minutes with the most important changes and functions of the new software version, presented by the MA Tech-Support. The link to register for one of these free webinars on 29 and 30 August is: https://attendee.gotowebinar.com/rt/3616676798814985742

The grandMA3 software is the soul of the grandMA3 platform and is designed to meet current and future lighting control requirements. MA Lighting provides new and existing users of all genres with a lighting control tool to create new and exciting shows at any scale.